Gathering paintings by domestic and foreign artists－Lin Hung-Wen, Kinichiro Ishikawa, Dai Biyin, Aliex Fu, Bernard Charoy、Jean Fusaro、Jean Jansem、Michele Battut、Roger Chapela-Midy、Gabrie Dauchot、Julian Taylor、Bernardino Toppi、Alex Berdal

Taking one's own image and psychological state as the subject of creation, he conducts a series of descriptions of the lifestyle and interpersonal interactions of urban people. There is a strong sense of "fatigue" among the characters in the painting. Communication has become a difficult action. We weakly try to contact and talk again. Fatigue seems to be a common experience, embodying contradictory and alienated emotions. Quietly divergent.

As foreigners, artists are not separated by differences in age, concept, or personality. Instead, in order to survive in the Paris art scene, they unite to absorb the Parisian environment and painting style, and hope to work together in the future. There are more clever ideas in creation. The creative style of The École de Paris also influenced later non-expressionist painters and abstract expressionists.

This exhibition displays three large-scale works by Li Feng, "Worship to Nature 1", "Worship to Nature 24", and "The Boundary of Ineffable", which were created in different places, including Xiaguirou, Sanzhi, and Toucheng.

The world is full of various forms of objects. However, the visual images on the surface and inside often depend on the viewing angle. They may appear very unique, mediocre or sweet, but they always have multiple and complex contexts. Artists must be in it to think ahead and explore new order in their creations.

People are timid, hiding behind customs and public opinion. Everyone knows very well that he is a unique person, and there will never be another such strange chance that can combine the wonderful mixture of various elements into a single entity like this. Everyone knows this truth, but he hides it like a regret.

The exhibition "Spiritual Manifesting" at the Dimension Art Center brings new works by Chien- Chang Cheng. Chien- Chang Cheng once described his creative concept: "Advocating the experience of the spirit and essence of the humanities and natural environment on the land in life, using a unique and strong style language to explain the interactive emotions between the inner spirit and the surrounding environment."

When creating, try to retain the charm of the ink, let the ink travel back and forth on the texture, and then remove the excess ink color. Check and ponder back and forth, and you can only stop writing when you reach the charm of the ink. When creating, I deliberately do not decorate it with strong colors, but apply subtle colors to reveal the beauty of the land under high-contrast light, pursuing the feeling of "between similarity and dissimilarity" to make the creative works more charming. , trying to show the artistic conception of Zen.

He uses avant-garde and surreal techniques to reproduce traditional landscape painting. The paintings combine bright colors and light lines to imitate the dynamic side of landscape and things. The works not only have the leisure of natural landscapes, but also add a touch of excitement and liveliness, showing his carefree and interesting personality, full of vitality but not playful.