Giotto is a relatively unfamiliar name to Taiwanese art lovers. But in the West, his historical status is that of the founder of Renaissance art. Lending his paintings to Taiwan for exhibition is of extraordinary significance to the Taiwanese audience.

Hsiao Chin was a pioneer in promoting modern/contemporary art in China in the mid-1950s, and was the first person to promote exchanges of contemporary art between China and the West in Europe. His works originate from Taoist and Zen philosophical thoughts, integrate Eastern and Western culture and modern art creation experience, and use methods to directly understand the nature of the mind to achieve spiritual self-awareness.

This exhibition is curated by the Dimension Art Education Foundation and co-organized by the National Palace Museum, the Musee Marmottan, China Times, and the Dimension Art Education Foundation. This exhibition is the first time that the National Palace Museum has exhibited European art, and it can be said to be a milestone in the promotion of Western art in Taiwan. From Monet's perspective and life, we will introduce the Impressionism that changed the history of Western art to the Taiwanese people.

Buffet's pendulous strokes resemble Gothic figures, repetitive deep lines, uniform cold colors, and rough and powerful black outlines. This kind of emotional expression is different from the emotional exaggeration of expressionism or the classical realism. form, but to harden the lines and adopt more edges and angles.

The exhibition "Picasso's World" is a retrospective exhibition of Picasso's wonderful personal medical creations. Paintings from the early blue and pink periods, the cubist period and classicism. A total of 74 works have come to Taiwan, among which important works from various periods will also be exhibited across the oceans in China. It can be said that the Picasso exhibition spans the century.

Planned by the Louvre Museum in France and implemented by the Dimensional Art Education Foundation, 71 classic works by famous artists are on display at the National Palace Museum. Taking the landscape paintings in Western paintings from the 16th century to the 19th century as the main theme, and replacing the chronological exhibition format with eight research subtopics, it presents sacred woods, the golden age, classical ideals, from fantasy to sublime, hunting and War, Painters' Italy, Landscapes and Portraits, and Painting Nature for the Love of Nature.

The French Fauvist painter Maurice de Vlaminck (1876-1958) is a famous representative painter of Fauvism who was contemporary with Matisse and Derain. His painting style is also considered to be the most characteristic and typical style of Fauvism. He used strong contrasting colors and wild brushwork, fully mastering the unique expression techniques of Fauvism.

Texier was born in 1955. He developed paintings and sculptures based on the concept of abstraction. Tahir uses different media to create his works, such as cloth, lead, zinc, wood, linen, etc. He believes that the materials themselves have their own spirituality, as well as existing memory, potential and power, and use them to create a rich spiritual outlet.

Since 1955, Chu Teh-Chun has held 80 solo exhibitions and participated in more than 200 exhibitions around the world. Many art museums collect his paintings, and many art publications and reports have introduced Chu Teh-Chun and his works. This illustrious artist has been established in France for 40 years.

Around the end of World War I in 1914, Paris became the art center of Europe, attracting a group of young artists from abroad who came here to find their own styles and ideas and engage in creation. Each has a different personality and unique style, and expresses inner feelings such as lyricism, longing for home, and sadness in their works. The things they touched in life made them familiar with each other and drew inspiration from each other. Their creative style became the well-known "ECOLE DE PARIS".